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Jesus Year

by T Ferrell

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the Abdominal Dr. Vibes
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the Abdominal Dr. Vibes The kind of hybridized Americana/roots/outlaw country/southern rock I love, with the added plus of socially/politically/historically conscious lyrics. Thank you, T Ferrell & friends. Favorite track: The Buzzards!.
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1.
We was sinners, we was headed for a fall Until Reverend Jim came to save us all He wore Italian leather shoes and drove a big Cadillac Reverend Jim don’t like our neighborhood Said we gotta leave this old church and build one that’s new He showed us the architecture plans and passed around the plate again Reverend Jim built him a big ole house It’s got a swimming pool and a solarium 20 foot ceilings and granite floors Chorus But I’ve never been invited to that house behind them wrought iron gates Where on the mantle between two Bibles sits a limited edition Richard Nixon gold commemorative plate Reverend Jim wakes up and plays 18, he’s got a brand new set of tax-deductible clubs He hits it pretty straight, and he’s got a good short game I hear Reverend Jim dabbles in real estate, he’s got a pro bono lawyer and cut interest rate There’s a new subdivision that’s got his name on it Reverend says “hey boy, come park my car, it’s too hot out here for me to walk that far, I got no singles right now, but I’ll catch you around . . . “ Well every month at that Chamber of Commerce, the good Reverend invocates Casts fire and brimstone on all [us] sinners, gonna make sure of all [our] fates But I’ve never been invited to the house behind them wrought-iron gates Where on the mantle between two Bibles sits a limited edition, Richard Nixon gold commemorative plate.
2.
The Man 03:40
I woke one morning I was feeling a little bit free Gonna end them days of the man exploiting me But I made the mistake of misunderestimating the powers that be, When I pushed the man, the man kicked the sh*t out of me. I woke one morning I was feeling a little bit free Said I’m tired of subsidizing that nobility But I looked up to see we was permanently at the bottom of a pyramid scheme And when I tried to climb up, it toppled and buried me And so on and on on the treadmill we run until we find we’ve few breaths left to breathe And if I have a son, one day on that treadmill he’ll run just like my daddy did before me I woke one morning, I was feeling a little bit free Said this system that keeps us down is too arbitrary But when acted upon, the system reacts and disregards proportionality And when I questioned the system, the system kicked the sh*t out of me Yeah I made the mistake of misunderestimating the powers that be, When I pushed the man, the man kicked the sh*t out of me.
3.
Gitano Creek 04:36
I was born in this county, sixteen years ago Red clay stained the soles of my feet There once was a time when we left our shoes behind Now we ain’t got no shoes to leave Pa used to work down at the sawmill Mill’s been closed two years to the day Now the only dust caked on Pa’s boots Is the dust that falls where they lay Mama says we’ll be alright But there’s a crack in her voice and a tear in her eye Things go crash in the middle of the night Like them storm clouds rolling in Storm clouds rolling in Old Mr. Jeffords from the General Store, used to come by and drink Pa’s moonshine Old Mr. Jeffords don’t come round no more, since he cut off Pa’s credit line Pa walks five miles to the county seat in town, takes his place a the back of the bread line Where Pa hangs his head, and holds out his hand, whispers please let this be the last time I woke early one morning to a chill in the air, and the pines singing sorrowful tunes The door was wise open, but no one was there, and I stepped out in the light of the moon I followed the sounds of them baying hounds to the banks of Gitano Creek Where Pa lay dead with a hole in his head, and a .12 gauge by his feet
4.
Well my truck broke down about three miles from my home and I reckon it’s done this time So I laced up my boots and put my gin in my pocket and I walked my old bones down the line Bout a mile In I was looking up at the sky when I feel an awful pain in my leg And when I looked underfoot there was a big ole cottonmouth, fangs sharp and white and eyes mean and red Well that serpent had locked in its fangs pretty good, I felt the poison down to my core And by the time I done taken off my boot, my foot’d swole up big like a gourd I studied on sucking that poison out, but these bones they’re old and tired And I ain’t touched my toes in twenty-something years, so I just laid my head down to die When I woke them buzzards had made me out for carrion, they pecked my eyeball out of my head I put my eyeball back in, took another pull of gin Goddamn you buzzards, I ain’t quite dead, Goddamn you buzzards I ain’t quite dead I got a no good woman I can’t shake free, she drinks all night and sleeps all day She spends all my money and screws my best friend, and kicks my dog when I look the other way Well I gotta get back my home sweet home to keep that woman from messing around From selling off my farm and marrying my friend and taking my dog out back and putting him down So I reached in my pocket and took out my knife I guess one foot ain’t much of a loss I bit down hard and looked the other way and took to sawing that rotten foot right off Now I got one bloody stump wrapped in a tourniquet, I left the other [part] lying on the road And that rotten foot’ll just have to make do for them birds, cause I’m a hopping the rest of me on home
5.
Jesus Year 02:25
Thirty-three and counting, the walls are closing in End of the beginning, beginning of the end Wake up every morning, ends’ a little nearer Never saw it coming until my Jesus year Decades’ worth of plans, illegible from the stain Of bootprints and spilled whiskey Bleeding like an open vein Was always looking forward, still arrived too late Now I’m searching for some means to compensate Won’t you hold me tight, won’t you ease my fears? Help me through the night of my Jesus year
6.
This scene is familiar; I think we’ve both been here before These streets, they led us here again It’s a place from which we ran, never to return but then The devil we know is the one that gets us in the end The story’s been written, we’ll just play our parts tonight Bit players, we’ll both take our turn, Won’t be no encore, anonymity is the best we can hope for Raise your glass to the night and watch us burn. Pretty darling won’t you drink with me tonight, I know a place on the wrong side of town And when we wake tomorrow, please shut out the light Spotlight’s no friend of ours, so mama, pull them shades low down I hear an old love song coming from an empty bar, Yeah, I think it’s one we used to know But I promise not to say nothing about yesterday If we had a time, it was a long time ago
7.
Rainy Tuesday on the last leg of the tour Pull the van out back, walk through the rusty door We used to play a bigger venue, but we can’t fill it up no more Familiar greeting from the man behind the bar Says “welcome back boys, it’s good to see you, but I’m awful sorry, We took a hit last time you played here, so we can’t comp your drinks no more” An empty dancefloor reflects the tired, flickering lights Regulars keep their backs turned and bellies up all through the night I guess we never played nothing that anybody would want to hear twice Let’s let ‘em close out boys and we’ll call it a night Tell me what it means when that crashing sound is just your dreams and you look to see there’s no one to hear them fall I’ll tell you about how, it’s so goddamn lonely now When you realize they didn’t make a sound at all After the show, we’ll drive all night to get back home Only mail is a notice they’ve cut off my lights and phone There used to be a girl here waiting, she says she can’t wait no more
8.
Roll over Lester, Austin’s back on the scene He’s flying first class down to Tennessee To see the Kings and get down on his knees Spin over Lester, Austin will have himself a time He’ll smoke their regal bud and drink their fancy wine They’ll all agree that the new sound is fine Lester wasn’t impressed by all the groupies and private jets Free records was enough for him Now Austin’s got the cover with a hack piece about them brothers And Lester rolls over again Spin over Lester, there’s not much else that you can do, You know that Austin never cared about your rules Just so long as the band thinks he’s cool Roll over Lester, Austin will help them build their lore If Lester was around, he’d say it’s all a f*cking bore With every word RollingStone dies some more
9.
Tell you a tale if I might, about my Captain Newton Knight Humble farmer of the clay, he’d tell you he don’t know no other way Down here in the Piney Woods, owning slaves don’t do much good We ain’t got much land to grow, a couple acres for our corn When President Lincoln was sworn in, they passed the Secession Ordinance Conscription man knocked on the door, said “come on Newt, fight for your home” Newt said “this ain’t no war of mine, I think Honest Abe will do just fine” But conscription man wouldn’t let him be, so he signed up as an orderly He marched due North with the 7th, and saw the blood at Corinth Word came about a drought at home, he deserted ranks and went back to Jones Cotton ain’t no king around here, we is free men to the bone And we ain’t gonna fight your rich man’s war in the free state of Jones Life was hard on the run, move all night and avoid the sun Can’t use the road, can’t use the rail, can’t shake the hellhound on his trail Newt made it home all right, but he was right mad when he saw the sight Rebels had taken all his stores, Newt said they won’t take no more Captain rounded up some kin, deserters and wanted men With ragged shoes and clothes all torn, they took up arms to fight for the North General Maury had best think twice before he sends in that Calvary, Them yeoman farmers fight like hell in Jones County
10.
After Lee laid down his sword And the Rebel flag came down Newton Knight came out of the swamps Head high as he walked through town He went on back to his homestead and his wife Seven kids, some of them now grown He settled back in that easy rocking chair But the place just didn’t feel like home There was a girl, Rachel was her name Part black and part Cherokee All her life a slave and a concubine Now for the first time, she was free Newt built a cabin made of logs From his house right across the way And since Rachel had no place else to go Newt said “here is where you’ll stay” And he crossed a bridge between two worlds And he crossed a bridge Years went on, Newt gave Rachel a gift, Never given by no white man, He handed her the deed to her house, And he gave her some land Every day, Newt would come calling, Rachel had five more kids along the way And when Newt looked, deep in their green eyes, It’s the best part of Rachel’s day And he crossed a bridge between two worlds, he’ll disregard what they’ll say And his life was a bridge between two worlds, and on the other side he’d stay
11.
It was a sting at the country club in Jackson, jaws hit the floor when the Sheriff rolled right in It’ll be a cold day in Hell, before they send them rich folks to jail And on Monday whiskey will flow again, yeah, on Monday sweet whiskey will flow again Twenty-three years after Amendment 21, Mississippi kept prohibition on the books Working man like me can’t get no law changed, but for rich folks one night was all it took. For rich folks one night was all it took It was a Junior League party at the Jxn Country Club, was wall to wall with French wine and champagne Sheriff busted in amidst those blue bloods, and he poured their spirits down the drain He poured their spirits down the drain It wasn’t too long after that wine hit the ground, that the first Senator got his first call, The very next time that legislature met they repealed that prohibition law Now I ain’t a man used to seeking out permission, I took my drink, and I never thought to ask But I won’t shed a tear for that godforsaken law, so to the Country Club folks I’ll raise my glass

credits

released June 12, 2012

All words by Taylor Ferrell
All music by Taylor Ferrell except "Free State of Jones," "Roll Over Lester" and "Jesus Year" by Taylor Ferrell and TB Ledford
The Arctic Valley Sessions Band:
TB Ledford -- guitars, vocals, banjo, bass, dobro
Matthew Magee -- fiddle, bass
Dave Hutchison -- Drums
Taylor Ferrell -- Guitars, vocals
Guest musicians:
Kenny Hutson -- pedal steel on "Richard Nixon Commemorative Plate," "The Man," "Gitano Creek," and "Bit Players Burn"
Eric Carlton -- piano on "The Man" and "Richard Nixon Commemorative Plate"
Gin Gin Carlton -- vocals on "The Man," Empty Dancefloor," and "Rachel"
Rosamond Posey -- vocals on "The Man," "Empty Dancefloor" and "Roll over Lester"
David Gilmore -- piano on "Gitano Creek" and pedal steel on "Rachel"
Jamie Weems -- mandolin
Julia Weems -- vocals on "Gitano Creek"
Robert Jones -- Guitar on "Bit Players Burn"
Jamison Holister -- fiddle on "Free State of Jones"
Max Williams -- lap steel on "Empty Dancefloor"
Recorded at Blackwings Studio in Water Valley, MS. Additional recording at the Ledford Shack in Jackson, MS
Produced by Ferrell and Ledford
Engineered and Mixed by Winn McElroy at Blackwings Studio
Mastered by Randy LeRoy at Airshow Mastering.
Illustrations Gorjus (www.prettyfakes.com). Graphic design by Jackie Losset.

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T Ferrell Washington, D.C.

Mississippi native Taylor Ferrell writes and performs anti-establishment alt-country music. His populist themes and gritty stories channel Bruce Springsteen and Steve Earle. On his debut album, Jesus Year, Ferrell weaves whiskey-soaked tales of Mississippi working class heroes doing battle with corrupt preachers, man-eating vultures, and Confederate Generals. ... more

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